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- [from a 1989 edition of "Magical Blend" magazine; also found in McKenna's
- "Archaic Revival"]
-
- NEW MAPS OF HYPERSPACE by Terence McKenna
-
- In James Joyce's *Ulysses*, Stephen Dedalus tells us, "History is the
- nightmare from which I am trying to awaken". I would turn this around and say
- that history is what we are trying to escape from into dream. The dream is
- eschatological. The dream is zero time and outside of history. We wish to
- escape into the dream. Escape is a key thing charged against those who would
- experiment with plant hallucinogens. The people who make this charge hardly
- dare face the degree to which hallucinogens are escapist. Escape. Escape from
- the planet, from death, from habit, and from the problem, if possible, of the
- Unspeakable.
- If one leaves aside the last three hundred years of historical experience as
- it unfolded in Europe and America, and examines the phenomenon of death and
- the doctrine of the soul in all its ramifications - Neoplatonic, Christian,
- dynastic-Egyptian, and so on, one finds repeatedly the idea that there is a
- light body, an entelechy that is somehow mixed up with the body during life
- and at death is involved in a crisis in which these two portions separate. One
- part loses its *raison d'etre* and falls into dissolution; metabolism stops.
- The other part goes we know not where. Perhaps nowhere if one believes it does
- not exist; but then one has the problem of trying to explain life. And, though
- science makes great claims and has done well at explaining simple atomic
- systems, the idea that science can make *any* statement about what life is or
- where it comes from is currently preposterous.
- Science has nothing to say about how one can decide to close one's hand into
- a fist, and yet it happens. This is utterly outside the realm of scientific
- explanation because what we see in that phenomenon is mind as a first cause.
- It is a example of telekinesis: matter is caused by mind to move. So we need
- not fear the sneers of science in the matter of the fate or origin of the
- soul. My probe into this area has always been the psychedelic experience, but
- recently I have been investigating dreams, because dreams are a much more
- generalized form of experience of the hyperdimension in which life and mind
- seem to be embedded.
- Looking at what people with shamanic traditions say about dreams, one comes
- to the realization that for these people dream reality is experientially a
- parallel continuum. The shaman accesses this continuum with hallucinogens as
- well as with other techniques, but most effectively with hallucinogens.
- Everyone else accesses it through dreams. Freud's idea about dreams was that
- they were what he called "day-residues", and that one could trace the content
- of a dream down to a distortion of something that happened during waking time.
- I suggest that it is much more useful to try to make a geometric model of
- consciousness, to take seriously the idea of a parallel continuum, and to say
- that the mind and the body are embedded in the dream and the dream is a
- higher-order spatial dimension. In sleep, one is released into the real world,
- of which the world of waking is only the surface in a very literal geometric
- sense. There is a plenum - recent experiments in quantum physics tend to back
- this up - a holographic plenum of information. All information is everywhere.
- Information that is not here is nowhere. Information stands outside of time
- in a kind of eternity - an eternity that does not have a temporal existence
- about which one may say, "It always existed." It does not have temporal
- duration of any sort. It is eternity. We are not primarily biological, with
- mind emerging as a kind of iridescence, a kind of epiphenomenon at the higher
- levels of organization of biology. We are hyperspatial objects of some sort
- that cast a shadow into matter. The shadow in matter is our physical organism.
- At death, the thing that casts the shadow withdraws, and metabolism ceases.
- Material form breaks down; it ceases to be a dissipative structure in a very
- localized area, sustained against entropy by cycling material in, extracting
- energy, and expelling waste. But the form that ordered it is not affected.
- These declarative statements are made from the point of view of the shamanic
- tradition, which touches all higher religions. Both the psychedelic dream
- state and the waking psychedelic state acquire great import because they
- reveal to life a task: to become familiar with this dimension that is causing
- being, in order to be familiar with it at the moment of passing from life.
- The metaphor of a vehicle - an after-death vehicle, an astral body - is used
- by several traditions. Shamanism and certain yogas, including Taoist yoga,
- claim very clearly that the purpose of life is to familiarize oneself with
- this after-death body so that the act of dying will not create confusion in
- the psyche. One will recognize what is happening. One will know what to do and
- one will make a clean break. Yet there deos seem to be the possibility of a
- problem in dying. It is not the case that one is condemned to eternal life.
- One can muff it through ignorance.
- Apparently at the moment of death there is a kind of separation, like birth
- - the metaphor is trivial, but perfect. There is a possibility of damage or of
- incorrect activity. The English poet-mystic William Blake said that as one
- starts into the spiral there is the possibility of falling from the golden
- track into eternal death. Yet it is only a crisis of a moment - a crisis of
- passage - and the whole purpose of shamanism and of life correctly lived is to
- strengthen the soul and to strengthen the ego's relationship to the soul so
- that this passage can be cleanly made. This is the traditional position.
- I want to include an abyss in this model - one less familiar to
- rationalists, but familiar to us all one level deeper in the psyche as
- inheritors of the Judeo-Christian culture. That is the idea that the world
- will end, that there will be a final time, that there is not only the crisis
- of the death of the individual but also the crisis of death in the history of
- the species.
- What this seems to be about is that from the time of the awareness until the
- resolution of the apocalyptic potential, there are roughly one hundred
- thousand years. In biological time, this is only a moment, yet it is ten times
- the entire span of history. In that period, everything hangs in the balance,
- because it is a mad rush from hominid to starflight. In the leap across those
- one hundred thousand years, energies are released, religions are shot off like
- sparks, philosophies evolve and die, science arises, magic arises, all of
- these concerns that control power with greater and lesser degrees of ethical
- constancy appear. Ever present is the possibility of aborting the species'
- transformation into a hyperspatial entelechy.
- We are now, there can be no doubt, in the final historical seconds of that
- crisis - a crisis that involves the end of history, our departure from the
- planet, the triumph over death, and the release of the individual from the
- body. We are, in fact, closing distance with the most profound event a
- planetary ecology can encounter - the freeing of life from the dark chrysalis
- of matter. The old metaphor of psyche as the caterpillar transformed by
- metamorphosis is a specieswide analogy. We must undergo a metamorphosis in
- order to survive the momentum of the historical forces already set in motion.
- Evolutionary biologists consider humans to be an unevolving species. Some
- time in the last fifty thousand years, with the invention of culture, the
- biological evolution of humans ceased and evolution became an epigenetic,
- cultural phenomenon. Tools, languages, and philosophies began to evolve, but
- the human somatotype remained the same. Hence, physically, we are very much
- like people of a long time ago. But technology is the real skin of our
- species. Humanity, correctly seen in the context of the last five hundred
- years, is an extruder of technological material. We take in matter that has a
- low degree of organization; we put it through mental filters, and we extrude
- jewelry, gospels, space shuttles. Rhis is what we do. We are like coral
- animals embedded in a technological reef of extruded psychic objects. All our
- tool making implies our belief in an ultimate tool. That tool is the flying
- saucer, or the soul, exteriorized in three-dimensional space. The body can
- become an internalized holographic object embedded in a solid-state,
- hyperdimensional matrix that is eternal, so that we each wander through a true
- Elysium.
- This is a kind of Islamic paradise in which one is free to experience all
- the pleasures of the flesh provided one realizes that one is a projection of a
- holographic solid-state matrix that is microminiaturized, superconducting, and
- nowhere to be found: it is part of the plenum. All technological history is
- about producing prototypes of this situation with greater and greater closure
- toward the ideal, so that airplanes, automobiles, space shuttles, space
- colonies, starships of the nuts-and-bolts, speed-of-light type are, as Mircea
- Eliade said, "self-transforming images of flight that speak volumes about
- man's aspiration to self-transcendence."
- Our wish, our salvation, and our only hope is to end the historical crisis
- by becoming the alien, by ending alienation, by recognizing the alien as the
- Self, in fact - recognizing the alien as an Overmind that holds all the
- physical laws of the planet intact in the same way that one holds an idea
- intact in one's thoughts. The givens that are thought to be writ in
- adamantine are actually merely the moods of the Goddess, whose reflection we
- happen to be. The whole meaning of human history lies in recovering this piece
- of lost information so that man may be dirigible or, to paraphrase James
- Joyce's *Finnegans Wake* on Moicane, the red light district of Dublin: "Here
- in Moicane we flop on the seamy side, but up n'ent, prospector, you sprout all
- your worth and you woof your wings, so if you want to be Phoenixed, come and
- be parked." It is that simple, you see, but it takes courage to be parked when
- the Grim Reaper draws near. "A blessing in disguise", Joyce calls him.
- What psychedelics encourage, and where I hope attention will focus once
- hallucinogens are culturally integrated to the point where large groups of
- people can plan research programs without fear of persecution, is the modeling
- of the after-death state. Psychedelics may do more than model this state; they
- may reveal the nature of it. Psychedelics will show us that the modalities of
- appearance and understanding can be shifted so that we can know mind within
- the context of the One Mind. The One Mind contains all experiences of the
- Other. There is no dichotomy between the Newtonian universe, deployed through
- light-years of three-dimensional universe, and the interior mental universe.
- They are adumbrations of the same thing.
- We perceive them as unresolvable dualisms because of the low quality of the
- code we customarily use. The language we use to discuss this problem has
- built-in dualisms. This is a problem of language. All codes have relative code
- qualities, except the Logos. The Logos is perfect and, therefore, partakes of
- no quality other than tiself. I am here using the word *Logos* in the sense in
- which Philo Judaeus uses it - that of the Divine Reason that embraces the
- arhcetypal complex of Platonic ideas that serve as the models of creation. As
- long as one maps with something other than the Logos, there will be problems
- of code quality. The dualism built into our language makes the death of the
- species and the death of the individual appear to be opposed things.
- Likewise, the scenarios that biology has created through examining the
- physical universe versus the angel- and demon-haunted worlds that depth
- psychology is reporting is also a dichotomy. The psychedelic experience acts
- to resolve this dichotomy. All that is needed to go beyond an academic
- understanding of the plant hallucinogens is the experience of the tryptamine-
- induced ecstasy. The dimethyltryptamine (DMT) molecule has the unique property
- of releasing the structured ego into the Overself. Each person who has that
- experience undergoes a mini-apocalypse, a mini-entry and mapping into
- hyperspace. For society to focus in this direction, nothing is necessary
- except for this experience to become an object of general concern.
- This is not to suggest that everyone should experiment with mushrooms or
- other naturally occurring sources of psychoactive tryptamines. We should try
- to assimilate and integrate the psychedelic experience since it is a plane of
- experience that is directly accessible to each of us. The role that we play in
- relationship determines how we will present ourselves in that final, intimated
- transformation. In other words, in this notion there is a kind of teleological
- bias; there is abelief that there is a hyperobject called the Overmind, or
- God, that casts a shadow into time. History is our group experience of this
- shadow. As one draws clsoer and closer to the source of the shadow, the
- paradoxes intensify, the rate of change intensifies. What is happening is that
- the hyperobject is beginning to ingress into three-dimensional space.
- One way of thinking of this is to suppose that the waking world and the
- world of the dream have begun to merge so that in a certain sense the school
- of UFO criticism that has said flying sources are hallucinations was correct
- in that the laws that operate in the dream, the laws that operate in
- hyperspace, can at times operate in three-dimensional space when the barrier
- between the two modes becomes weak. Then one gets these curious experiences,
- sometimes called psychotic breaks, that always have a tremendous impact on the
- experient because there seems to be an exterior component that could not
- possibly be subjective. At such times coincidences begin to build and build
- until one must finally admit that one does not know what is going on.
- Nevertheless, it is preposterous to claim that this is a psychological
- phenomenon, because there are accompanying changes in the external world. Jung
- called this "synchronicity" and made a psychological model of it, but it is
- really an alternative physics beginning to impinge on local reality.
- The alternative physics is a physics of light. Light is composed of photons,
- which have no antiparticle. This means that there is no dualism in the world
- of light. The conventions of relativity say that time slows down as one
- approaches the speed of light, but if one tries to imagine the point of view
- of a thing made of light, one must realize that what is never mentioned is
- that if one moves at the speed of light there is no time whatsoever. There is
- an experience of time zero. So if one imagines for a moment oneself to be made
- of light, or in possession of a vehicle that can move at the speed of light,
- one can traverse from any point in the universe to any other with a subjective
- experience of time zero. This means that one crosses to Alpha Centauri in time
- zero, but the amount of time that has passed in the relativistic universe is
- four and a half years. But if one moves very great distances, if one crosses
- two huindred and fifty thousand light-years to Andromeda, one would still have
- a subjective experience of time zero.
- The only experience of time that one can have is of a subjective time that
- is created by one's own mental processes, but in relationship to the Newtonian
- universe there is no time whatsoever. One exists in eternity, one has become
- eternal, the universe is aging at a staggering rae all around one in this
- situation, but that is perceived as a fact of this universe - the way we
- perceive Newtonian physics as a fact of this universe. One has transited into
- the eternal mode. One is then apart from the moving image; one exists in the
- completion of eternity.
- I believe that this is what technology pushes toward. There is no
- contradiction between ecological balance and space migration, between
- hypertechnology and radical ecology. These issues are red herrings; the real
- historical entity that is becoming imminent is the human soul. The monkey body
- has served to carry us to this moment of release, and it will always serve as
- a focus of self-image, but we are coming more and more to exist in a world
- made by the human imagination. This is what is meant by the return to the
- Father, the transcendence of *physis*, the rising out of the Gnostic universal
- prison of iron that traps the light: nothing less than the transformation of
- our species.
- Very shortly an acceleration of this phenomenon will take place in the form
- of space exploration and space colonies. The coral-reef-like animal called Man
- that has extruded technology over the surface of the earth will be freed from
- the constraints of anything but the imagination and the limitations of
- materials. It has been suggested that the earlioest space colonies include
- efforts to duplicate the idyllic ecosystem of Hawaii as an ideal. These
- exercises in ecological understanding will prove we know what we are doing.
- However, as soon as this understanding is under control we will be released
- into the realm of art. This is what we have always striven for. We will make
- our world - all of our worlds - and the world we came from will be maintained
- as a garden. What Eliade discussed as metaphors of self-transforming flight
- will be realized shortly in the technology of space colonization.
- The transition from earth to space will be a staggeringly tight genetic
- filter, a much tighter filter than any previous frontier has ever been,
- including the genetic and demographic filter represented by the colonization
- of the New World. It has been said that the vitality of the Americas is due to
- the fact that only the dreamers and the pioneers and the fanatics made the
- trip across. This will be even more true of the transition to space. The
- technological conquest of space will set the stage; then, for the
- internalization of that metaphor, it will bring the conquest of inner space
- and the collapse of the state vectors associated with this technology deployed
- in Newtonian space. Then the human species will have become more than
- dirigible.
- A technology that would internalize the body and exteriorize the soul will
- develop parallel to the move to space. *The Invisible Landscape*, a book by my
- brother and myself, made an effort to short-circuit that chronology and, in a
- certain sense, to force the issue. It is the story, or rather it is the
- intelectual underpinnings of the story, of an expedition to the Amazon by my
- brother and myself and several other people in 1971. During that expedition,
- my brother formulated an idea that involved using harmine and harmaline,
- compounds that occur in *Banisteriopsis caapi*, the woody vine that is the
- basis for *ayahuasca*. We undertook an effor to use harmine in conjunction
- with the human voice in what we called "the experiment at La Chorrera". It was
- an effort to use sound to charge the molecular structure of harmine molecules
- metabolizing in the body in such a way that they would bind preferentially and
- permanently with endogenous molecular structures.
- Our candidate at the time was neural DNA, though Frank Barr, a researcher
- into the properties of brain melanin, has made a convincing case that there is
- as great a likelihood that harmine acts by binding with melanin bodies. In
- either case, the pharmacology involves binding with a molecular site where
- information is stored, and this information is then broadcast in such a way
- that one begins to get a mental readout on the structure of the soul. Our
- experiment was an effort to use a kind of shamanic technology to bell the cat,
- if you will, to hang a superconducting, telemetric device on the Overmind so
- that there would be a continuous readout of information from that dimension.
- The success or failure of this attempt may be judged for oneself.
- The first half of the book describes the theoretical underpinnings of the
- experiment. The second half describes the theory of the structure of time that
- derived from the bizarre mental states that followed the experiment. I do not
- claim that we succeeded, only that our theory of what happened is better than
- any theory proposed by critics. Whether we succeeded or not, this style of
- thinking points the way. For example, when I speak of the technology of
- building a starship, I imagine it will be done with voltages far below the
- voltage of a common flashlight battery. This is, after all, where the most
- interesting phenomena go on in nature. Thought is that kind of phenomenon;
- metabolism is that kind of phenomenon.
- A new science that places the psychedelic experience at the center of its
- program of investigation should move toward a practical realization of this
- goal - the goal of eliminating the barrier between the ego and the Overself so
- that the ego can perceive itself as an expression of the Overself. Then the
- anxiety of facing a tremendous biological crisis in the form of the ecocrises,
- and the crisis of limitation in physical space forced upon us by our planet-
- bound situation, can be obviated by cultivating the soul and by practicing a
- new shamanism using tryptamine-containing plants.
- Psilocybin is the most commonly available and experientially accessible of
- these compounds. Therefore my plea to scientists, administrators, and
- politicians who may read these words is this: look again at psilocybin, do not
- confuse it with the other psychedelics, and realize that it is a phenomenon
- unto itself with an enormous potential for transforming human beings - not
- simply transforming the people who take it, but transforming society in the
- way that an art movement, a mathematical understanding, or a scientific
- breakthrough transforms society. It holds the possibility of transforming the
- entire species simply by virtue of the information that comes through it.
- Psilocybin is a source of gnosis, and the voice of gnosis has been silenced in
- the Western mind for at least a thousand years.
- When the Franciscans and the Dominicans arrived in Mexico in the sixteenth
- century, they immediately set about stamping out the mushroom religion. The
- Indians called it *teonanacatl*, "the flesh of the gods". The Catholic church
- had a monopoly on theophagia and was not pleased by this particular approach
- to what was going on. Now, four hundred years after that initial contact, I
- suggest that Eros, which retreated from Europe with the rise of Christianity,
- retreated to the mountains of the Sierra Mazateca. Finally, pushed into
- seclusion there, it now reemerges in Western consciousness.
- Our institutions, our epistemologies are bankrupt and exhausted; we must
- start anew and hope that with the help of shamanically inspired personalities,
- we can cultivate this ancient mystery once again. The Logos can be unleashed,
- and the voice that spoke to Plato and Parmenides and Heraclitus can speak
- again in the minds of modern people. When it does, the alienation will be
- ended because we will have become the alien. This is the promise that is held
- out; it may seem to some a nightmare vision, but all historical changes of
- immense magnitude have a charged emotional quality. They propel people into a
- completely new world.
- I believe that this work must be done using hallucinogens. Traditionally it
- has been thought that there were many paths to spiritual advancement. In this
- matter I must fall back on personal experience. I have not had good results
- with any other techniques. I spent time in India, practiced yoga, visited
- among the various rishis, roshis, geysheys, and gurus that Asia had to offer,
- and I believe they must be talking about something so pale and removed from
- closure with the full tryptamine ecstasy that i don't really know what to make
- of them and their wan hierophanies.
- Tantra claims to be another approach. Tantra means "the short-cut path", and
- certainly it might be on the right track. Sexuality, orgasm, these things do
- have tryptaminelike qualities to them, but the difference between psilocybin
- and all other hallucinogens is information - immense amounts of information.
- LSD seemed somehow to be largely related to the structure of the
- personality. Often it seemed to me the visions were merely geometric patterns
- unless synergized by another compound. The classic psychedelic experience that
- was written about by Aldous Huxley was two hundred micrograms of LSD and
- thirty milligrams of mescaline. That combination delivers a visionary
- experience rather than an experience of hallucinations. In my opinion the
- unique quality of psilocybin is that it reveals not colored lights and moving
- grids, but places - jungles, cities, machines, books, architectonic forms of
- incredible complexity. There is no possibility that this could be construed as
- neurological noise of any sort. It is, in factm the most highly ordered visual
- information that one can experience, much more highly ordered than the normal
- waking vision.
- That's why it's very hard with psychedelic compounds to bring back
- information. These things are hard to English because it is like trying to
- make a three-dimensional rendering of a fourth-dimensional object. Only
- through the medium of sight can the true modality of this Logos be perceived.
- That is whyy it is so interesting that psilocybin and *ayahuasca* - the
- aboriginal tryptamine-containing brew - both produce a telepathic experience
- and a shared state of mind. The unfolding group hallucination is shared in
- complete silence. It's hard to prove this to a scientist, but if several
- people share such an experience, one person can describe it and then cease the
- monologue and another person may then take it up. Everyone is seeing the same
- thing! It is the quality of being complex visual information that makes the
- Logos a vision of a truth that cannot be told.
- The information thus imparted is not, however, merely restricted to the mode
- of seeing. The Logos is capable of going from a thing heard to a thing seen,
- without ever crossing through a discernible trnsition point. This seems a
- logical impossibility; yet when one actually has the experience, one sees -
- aha! - it is as though thought that is heard does become something seen. The
- thought that is heard becomes more and more intense until, finally, its
- intensity is such that, with no transition, one is now beholding it in three-
- dimensional, visual space. One commands it. This is very typical of
- psilocybin.
- Naturally, whenever a compound is introduced into the body, one must
- exercise caution and be well informed with regard to possible side effects.
- Professional psychedelic investigators are aware of these factors and freely
- acknowledge that the obligation to be well informed is of primary importance.
- Speaking for myself, let me say that I am not an abuser. It takes me a long
- time to assimilate each visionary experience. I have never lost my respect for
- these dimensions. Dread is one of the emotions that I feel as I approach the
- experience. Psychedelic work is like sailing out onto a dark ocean in a little
- skiff. One may view the moon rising serenely over the calm black water, or
- something the size of a freight train may roar right through the scene and
- leave one clinging at an oar.
- The dialogue with the other is what makes repetition of these experiences
- seem worthwhile. The mushroom speaks to you when you speak to it. In the
- introduction to the book that my brother and I wrote (under pseudonyms) called
- *Psilocybin: Magic Mushroom Grower's Guide*, there is a mushroom monologue
- that geins: "I am old, fifty times older than thought in your species, and I
- came from the stars." Sometimes it's very human. My approach to it is Hasidic.
- I rave at it; it raves at me. We argue about what it is going to cough up and
- what it isn't. I say, "Well, look, I'm the propagator, you can't hold back on
- me," and it says, "But if I showed you the flying saucer for five minutes, you
- would figure out how it works", and I say, "Well, come through." It has many
- manifestations. Sometimes it's like Dorothy of Oz; sometimes it's like a very
- Talmudic sort of pawnbroker. I asked it once, "What are you doing on Earth?"
- It said, "Listen, if you're a mushroom, you live cheap; besides, I'm telling
- you, this was a very nice neighborhood until the monkeys got out of control."
- "Monkeys out of control": that is the mushroom voice's view of history. To
- us, history is something very different. History is the shock wave of
- eschatology. In other words, we are living in a very unique moment, ten or
- twenty thousand years long, where an immense transition is happening. The
- object at the end of and beyond history is the human species fused into
- eternal tantric union with the superconducting Overmind/UFO. It is that
- mystery that casts its shadow back through time. All religion, all philosophy,
- all wars, pogroms, and persecutions happen because people do not get the
- message right. There is both the forward-flowing casuistry of being, causal
- determinism, and the interference pattern that is formed against that by the
- backward-flowing fact of this eschatological hyperobject throwing its shadow
- across the temporal landscape. We exist, yet there is a great deal of noise.
- This situation called history is totally unique; it will last only a moment,
- it began a moment ago. In that moment there is a tremendous burst of static as
- the monkey goes to godhood, as the final eschatological object mitigates and
- transforms the forward flow of entropic circumstance.
- Life is central to the career of organization in matter. I reject the idea
- that we have been shunted onto a siding called organic existence and that our
- actual place is in eternity. This mode of existence is an important part of
- the cycle. It is filter. There is the possibility of extinction, the
- possibility of falling into *physis* forever, and so in that sense the
- metaphor of the fall is valid. There is a spiritual obligation, there is a
- task to be done. It is not, however, something as simple as following a set of
- somebody else's rules. The noetic enterprise is a primary obligation toward
- being. Our salvation is linked to it. Not everyone has to read alchemical
- texts or study superconducting biomolecules to make the transition. Most
- people make it naively by thinking clearly about the present at hand, but we
- intellectuals are trapped in a world of too much information. Innocence is
- gone for us. We cannot expect to cross the rainbow bridge through a good act
- of contrition; that will not be sufficient.
- We have to understand. Whitehead said, "Understanding is the apperception of
- pattern as such"; to fear death is to misunderstand life. Cognitive activity
- is the defining act of humanness. Language, thought, analysis, art, dance,
- poetry, mythmaking: these are the things that point the way toward the realm
- of the eschaton. We humans may be released into a realm of pure self-
- engineering. The imagination is everything. This was Blake's perception. This
- is where we came from. This is where we are going. And it is only to be
- approached through cognitive activity.
- Time is the notion that gives ideas such as these their power, for they
- imply a new conception of time. During the experiment at La Chorrera, the
- Logos demonstrated that time is not simply a homogeneous medium where things
- occur, but a fluctuating density of probability. Though science can sometimes
- tell us what can happen and what cannot happen, we have no theory that
- explains why, out of everything that could happen, certain things undergo what
- Whitehead called "the formality of actually occurring." This was what the
- Logos sought to explain, why out of all the myriad things that could happen,
- certain things undergo the formality of occurring. It is because there is a
- modular hierarchy of waves of temporal conditioning, or temporal density. A
- certain event, rated highly improbable, is more probable at some moments than
- at others.
- Taking that simple perception and being led by the Logos, I was able to
- construct a fractal model of time that can be programmed on a computer and
- that gives a map of the ingression of what I call "novelty" - the ingression
- of novelty into time. As a general rule, novelty is obviously increasing. It
- has been since the very beginning of the universe. Immediately following the
- Big Bang there was only the possibility of nuclear interaction, and then, as
- temperatures fell below the bond strength of the nucleus, atomic systems could
- be formed. Still later, as temperatures fell further, molecular systems
- appeared. Then much later, life became possible; then vrey complex life forms
- evolved, thought became possible, culture was invented. The invention of
- printing and electronic information transfer occurred.
- What is happening to our world is ingression of novelty toward what
- Whitehead called "concrescence", a tightening gyre. Everything is flowing
- together. The "autopoetic lapis", the alchemical stone at the end of time,
- coalesces when everything flows together. When the laws of physics are
- obviated, the universe disappears, and what is left is the tightly bound
- plenum, the monad, able to express itself for itself, rather than only able to
- cast a shadow into *physis* as its reflection. I come very close here to
- classical millenarian and apocalyptic thought in my view of the rate at which
- change is accelerating. From the way the gyre is tightening, I predict that
- concrescence will occur soon - around 2012 A.D. It will be the entry of our
- species into hyperspace, but it will appear to be the end of physical laws
- accompanied by the release of the mind into the imagination.
- All these images - the starship, the space colony, the lapis - are
- precursory images. They follow naturally from the idea that history is the
- shock wave of eschatology. As closes distance with the eschatological object,
- the reflections it is throwing off resemble more and more the thing itself. In
- the final moment the Unspeakable stands revealed. There are no more
- reflections of the Mystery. The Mystery in all its nakedness is seen, and
- nothing else exists. But what it is, decency can safely scarcely hint;
- nevertheless, it is the crowning joy of futurism to seek anticipation of it.
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